Franz von Koller and the Enigma of the Bronze Tripod from the Real Museo Borbonico in Naples

Result code in IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F19%3A00110480" target="_blank" >RIV/00216224:14210/19:00110480 - isvavai.cz</a>

Result on the web

<a href="http://hdl.handle.net/11222.digilib/141528" target="_blank" >http://hdl.handle.net/11222.digilib/141528</a>

DOI - Digital Object Identifier

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Result language

angličtina

Original language name

Franz von Koller and the Enigma of the Bronze Tripod from the Real Museo Borbonico in Naples

Original language description

Baron Franz von Koller (1767–1826) served as a general intendant in Naples between 1815 and 1826, where he oversaw the restoration of the Kingdom of the Two Sicilies and the return of the Bourbons to the throne. During these years, this educated diplomat also became an accomplished collector of antiquities and an amateur archeologist. Contemporary sources describe Koller’s civil behaviour in creating his art collection, which was not always common in this golden age of collecting. His diligence in adhering to official protocols and royal decrees, whether they concerned archaeological excavation or the trade of antiquities, is attested by the newly discovered correspondence containing Koller’s request to create a copy of a bronze tripod which is exhibited in the royal museum in Naples. Although he did not obtain the permission, we can actually find two different copies of bronze tripods “created after the original from the Real Museo Borbonico” in the inventory of his collection. Koller’s desire to own the most accurate copy of the exhibited piece, even though both inexpensive and luxurious copies of these tripods have already appeared on the Italian market, proves that it was not supposed to be a mere showpiece meant to illustrate an atmosphere, but a serious collectible original. The untimely death of Baron Koller prevented his plan to transfer the collection in its entirety to Bohemia and present it to the public at the castle in Obříství. The collection’s character, order, and its overall diversity are clearly the answer to the question of why it was gradually breaking up after Koller’s death until it completely fell apart. His enlightened idea about the necessity to cultivate the modern state’s society was, in fact, clashing with the still traditional encyclopaedic way of presenting discoveries, which did not comply with the new collecting and exhibiting concepts of the newly emerging museum institutions at the time.

Czech name

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Czech description

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Type

J_SC - Article in a specialist periodical, which is included in the SCOPUS database

CEP classification

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OECD FORD branch

60401 - Arts, Art history

Project

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Continuities

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Publication year

2019

Confidentiality

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Name of the periodical

Opuscula historiae artium

ISSN

1211-7390

e-ISSN

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Volume of the periodical

68

Issue of the periodical within the volume

1

Country of publishing house

CZ - CZECH REPUBLIC

Number of pages

20

Pages from-to

2-21

UT code for WoS article

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EID of the result in the Scopus database

2-s2.0-85075295607