In the Shadow of the Habsburg Empire : Art and Architecture in Interwar Central Europe

Result code in IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F19%3A00112486" target="_blank" >RIV/00216224:14210/19:00112486 - isvavai.cz</a>

Result on the web

<a href="https://craace.com/wp-content/uploads/2019/09/In-the-Shadow-of-the-Habsburg-Empire-Conference-Schedule.pdf" target="_blank" >https://craace.com/wp-content/uploads/2019/09/In-the-Shadow-of-the-Habsburg-Empire-Conference-Schedule.pdf</a>

DOI - Digital Object Identifier

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Result language

angličtina

Original language name

In the Shadow of the Habsburg Empire : Art and Architecture in Interwar Central Europe

Original language description

The First World War is often held to have brought about not merely political and social disruption, but also a profound caesura in artistic and cultural life. Nowhere was this more evident than in Austria-Hungary, where Vienna and Budapest lost their pre-eminent status as cultural capitals, and the creation of new states transformed the political and artistic status of cities such as Prague, Brno, Salzburg and Košice. The disruption to artistic life was dramatically symbolised in the deaths in 1918 of some of the leading figures of pre-war modernism: Otto Wagner, Gustav Klimt, Bohumil Kubišta and Egon Schiele. Post-war nostalgia for the Habsburg Empire amongst writers such as Joseph Roth, Stefan Zweig and Miklós Bánffy is well known and, as Marjorie Perloff has suggested, the collapse of Austria-Hungary left its imprint on what might termed a specific ‘austro-modernism.’ But what was the impact of the events of 1918 on the visual arts? How did artists, designers and architects negotiate the changed terrain of the post-war social and political world? To what extent did the memory of the Habsburg Empire continue to shape artistic life? To what extent did artists and architects actively seek to consign it to oblivion? As part of the ERC-funded project Continuity / Rupture? Art and Architecture in Central Europe 1918-1939 (https://craace.com) this conference examines the ways in which the visual arts shaped and were shaped by new aesthetic, political and ideological currents, with particular reference to Austria, Hungary and Czechoslovakia.

Czech name

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Czech description

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Type

M - Conference organization

CEP classification

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OECD FORD branch

60401 - Arts, Art history

Project

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Continuities

R - Projekt Ramcoveho programu EK

Publication year

2019

Confidentiality

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Event location

Brno

Event country

CZ - CZECH REPUBLIC

Event starting date

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Event ending date

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Total number of attendees

50

Foreign attendee count

40

Type of event by attendee nationality

WRD - Celosvětová akce