The Spiral Narrative and the Sequel : How to Innovate an Innovative Schema?
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F19%3A00112728" target="_blank" >RIV/00216224:14210/19:00112728 - isvavai.cz</a>
Result on the web
<a href="https://necs.org/conference/archive/2019/gdansk/" target="_blank" >https://necs.org/conference/archive/2019/gdansk/</a>
DOI - Digital Object Identifier
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Alternative languages
Result language
angličtina
Original language name
The Spiral Narrative and the Sequel : How to Innovate an Innovative Schema?
Original language description
In this paper, I am going to discuss several questions. First, what is the production dynamics of innovation through a spiral narrative schema? After all, the applications of a spiral narrative are a highly repetitive phenomenon. They are repetitive internally, whey they handle with rather complex storytellings about repetition and variation. However, they are repetitive externally as well, yet those sets of devices and tactics on how to keep the viewer‘s attention are relatively limited. Furthermore, with the help of the case of films HAPPY DEATH DAY and HAPPY DEATH DAY 2U, I will ask: How could the creators proceed if they decided to make a sequel? If the spiral scheme is an innovative tool, how is conceivable to innovate innovation?
Czech name
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Czech description
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Classification
Type
O - Miscellaneous
CEP classification
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OECD FORD branch
60405 - Studies on Film, Radio and Television
Result continuities
Project
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Continuities
S - Specificky vyzkum na vysokych skolach
Others
Publication year
2019
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů