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From Ballad-Opera to Singspiel : The Transnational Adaptations of Coffey’s Devil to Pay

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F20%3A00114685" target="_blank" >RIV/00216224:14210/20:00114685 - isvavai.cz</a>

  • Result on the web

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    From Ballad-Opera to Singspiel : The Transnational Adaptations of Coffey’s Devil to Pay

  • Original language description

    The paper examines the cultural transfer of the genre of ballad-opera and its appropriation in Germany and Austria in the second half of the 18th century. It does so on the example of Charles Coffey’s ballad-opera Devil to Pay or The Wives Metamorphosed and its German adaptation Die verwandelten Weiber oder Der Teufel ist los composed by Johann Adam Hiller with the libretto by Christian Felix Weisse.

  • Czech name

  • Czech description

Classification

  • Type

    O - Miscellaneous

  • CEP classification

  • OECD FORD branch

    60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Result continuities

  • Project

    <a href="/en/project/GA19-07494S" target="_blank" >GA19-07494S: English Theatre Culture 1660-1737</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2020

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů