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Aristotelism in Czech structuralism : Jan Mukařovský and Otakar Zich

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F20%3A00114728" target="_blank" >RIV/00216224:14210/20:00114728 - isvavai.cz</a>

  • Result on the web

    <a href="http://hdl.handle.net/11222.digilib/142548" target="_blank" >http://hdl.handle.net/11222.digilib/142548</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.5817/TY2020-1-4" target="_blank" >10.5817/TY2020-1-4</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Aristotelism in Czech structuralism : Jan Mukařovský and Otakar Zich

  • Original language description

    The article tries to explain the differences between Zich's and Mukařovský's positions with regard to theory of the dramatic theatre due to their different affinities to the three traditions singled out from ancient Greek metaphysics by Jan Patočka. If Zich follows more the materialistic atomist Democritus, Mukařovský adheres more to Aristotle, whose realism holds the middle between atomism and Plato's idealism. As a result of their different philosophical inclinations, the two Czech structuralists interpret the relation between material and form differently. The article follows Mukařovský's gradual development of views focusing on the central ideas in his three main essays: 'Aesthetic Function, Norm and Value as Social Facts' (1936), 'On Poetic Language' (1940), and 'Intentionality and Unintentionality in Art' (1943). The aim of my article is therefore to draw attention to Mukařovský's study and specifically to his key idea of 'semantic gesture' especially in the dramatic genre in literature as well as in the theatre. In a brief sketch of Euripides' tragedy Medea I try to show how the dramatic dialogue lays bare conflicting ideas about social values in ancient Greek democracy.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database

  • CEP classification

  • OECD FORD branch

    60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Result continuities

  • Project

    <a href="/en/project/GA16-20335S" target="_blank" >GA16-20335S: Theatre as a Synthesis of the Arts: Otakar Zich in Context of Modern Science and Contemporary Potential of His Concepts</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2020

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Theatralia

  • ISSN

    1803-845X

  • e-ISSN

  • Volume of the periodical

    roč. 23

  • Issue of the periodical within the volume

    č. 1

  • Country of publishing house

    CZ - CZECH REPUBLIC

  • Number of pages

    10

  • Pages from-to

    44-53

  • UT code for WoS article

  • EID of the result in the Scopus database

    2-s2.0-85090527726