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Anxiety and Hope of Imagining the ‘Country’ : Writing Women’s Belonging in the 21st Century

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F21%3A00119571" target="_blank" >RIV/00216224:14210/21:00119571 - isvavai.cz</a>

  • Result on the web

    <a href="https://www.easanaples2021.com/" target="_blank" >https://www.easanaples2021.com/</a>

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    Anxiety and Hope of Imagining the ‘Country’ : Writing Women’s Belonging in the 21st Century

  • Original language description

    There is a rich literary tradition of white women travelling to the Australian Outback and writing memoirs and travelogues about what has often been a life-changing experience for them. They invariably begin their journey as a quest—whether one for spiritual, national, gender or personal belonging, it is almost always a quest to come to terms with a sense of ungrounded being. If memoirs of settler belonging in general have framed the sense of belonging in terms of spatial anxiety (particularly at the turn of the 21st century), often questioning the legitimacy of settler belonging, then women writers complement this picture by integrating the perspective of gender: they thematize their affective as well as intellectual responses to the landscapes, encounters with (female) Indigeneity and rural Australia, and female solitude. While such narratives have been written almost exclusively by white settler women, it is noteworthy that recently other than Anglo-Celtic perspectives have been voiced. The journalist Monica Tan, a first generation Chinese Australian, wrote Stranger Country (2019) as an accessible travel narrative intended for wide readership, a strategy endorsed by the marketing of the book. Keen to explore remote areas as they still elude the “authentic” Australia, Tan both perpetuates and challenges some of the most stereotypical and clichéd images of the continent. The paper will analyse Tan’s reflections and social commentary with emphasis on the ways in which Tan’s narrative deviates from (or extends) the tradition of the other settler women’s travel memoirs, particularly since Robyn Davidson’s Tracks.

  • Czech name

  • Czech description

Classification

  • Type

    O - Miscellaneous

  • CEP classification

  • OECD FORD branch

    60206 - Specific literatures

Result continuities

  • Project

    <a href="/en/project/GA19-11234S" target="_blank" >GA19-11234S: Australian Memoirs of Settler Belonging</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2021

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů