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To Die and Be Resurrected with Christ: The Milan Passion Diptych and Its Function in the Baptismal Rite

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F21%3A00128836" target="_blank" >RIV/00216224:14210/21:00128836 - isvavai.cz</a>

  • Result on the web

    <a href="http://www.sismel.it/pubblicazioni/1844-iconographica-xx-(2021)" target="_blank" >http://www.sismel.it/pubblicazioni/1844-iconographica-xx-(2021)</a>

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    To Die and Be Resurrected with Christ: The Milan Passion Diptych and Its Function in the Baptismal Rite

  • Original language description

    The Milan Passion diptych, composed of two ivory panels, is decorated with scenes of Christ’s Passion and Re- surrection. It resembles the 5th-century Roman ivories, but has been convincingly proved to be a 9th-century piece produ- ced in the context of the so-called Carolingian revival. Its original provenance and function remain, however, a matter of controversy. We aim to contribute to this discussion answering the following: (1) was the diptych carved at the Carolingian court, or in the Northern Italy, probably for the Cathedral of Milan; (2) what was its original purpose? Our interpretation stems from a discovery of wax residues on the reverses of the panels. The central parts of the reverses were once covered with wax, which leads us to assume that they could have been used for temporary writing. By cross-checking the sequence of sce- nes on the diptych, contemporary liturgical sources, and patristic treaties, we suggest that the object originally had a litur- gical function in (pre)-baptismal rituals following the Roman, rather than the Milanese Rite. This in turn excludes the possibility of its Milanese provenance. Based upon these findings, our interpretation of the function of the diptych might open further inquiry into the use of similar objects throughout Late Antiquity and the Early Middle Ages.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database

  • CEP classification

  • OECD FORD branch

    60401 - Arts, Art history

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2021

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    ICONOGRAPHICA

  • ISSN

    1720-1764

  • e-ISSN

    1720-1764

  • Volume of the periodical

    20

  • Issue of the periodical within the volume

    1

  • Country of publishing house

    IT - ITALY

  • Number of pages

    12

  • Pages from-to

    47-58

  • UT code for WoS article

    000994495300005

  • EID of the result in the Scopus database

    2-s2.0-85131300488