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The Clash of Sino-Tibetan Propaganda On-screen : A Case Study of Tibetan Exile Movie Theatre

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F25%3A00144340" target="_blank" >RIV/00216224:14210/25:00144340 - isvavai.cz</a>

  • Result on the web

    <a href="https://iluminace.cz/artkey/ilu-202501-0003_the-clash-of-sino-tibetan-propaganda-on-screen-a-case-study-of-tibetan-exile-movie-theatre.php" target="_blank" >https://iluminace.cz/artkey/ilu-202501-0003_the-clash-of-sino-tibetan-propaganda-on-screen-a-case-study-of-tibetan-exile-movie-theatre.php</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.58193/ilu.1804" target="_blank" >10.58193/ilu.1804</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    The Clash of Sino-Tibetan Propaganda On-screen : A Case Study of Tibetan Exile Movie Theatre

  • Original language description

    Different self-presentation strategies constantly compete on the battlefield between two propagandas using various media - documentary films and docudramas are among the most used persuasive tools to convey and disseminate a specific worldview through the mediation of selected information and analysis. The target audience of the films is influenced by techniques to maximize the effect of propaganda, including the emphasis on the credibility of the information conveyed, specific truth claims concerning the topic discussed, and, finally, the very nature of the visual message itself, which gives the impression of an authentic depiction of reality. Based on previous research on self-presentation strategies and an analysis of the propaganda of the Tibet Museum in Dharamsala, India (which is under the direct supervision of the Central Tibetan Administration [CTA] and the Dalai Lama), this case study focuses on the movie theatre located in the mentioned institution and the films screened daily. Through a discourse analysis of the documentaries and docudramas that the CTA has selected for their cinema, this paper aims to explore the preferred narrative perspectives on the history of Sino-Tibetan relations and other motives, like oppression and destruction of Tibet, environmental and human rights issues or the role of the 14th Dalai Lama and Tibetan Buddhism.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database

  • CEP classification

  • OECD FORD branch

    60304 - Religious studies

Result continuities

  • Project

    <a href="/en/project/GA23-06406S" target="_blank" >GA23-06406S: Representations and Role of Tibetan Buddhism in Narratives about Tibet from 1950s to Present</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2025

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Iluminace

  • ISSN

    0862-397X

  • e-ISSN

    2570-9267

  • Volume of the periodical

    37

  • Issue of the periodical within the volume

    1

  • Country of publishing house

    CZ - CZECH REPUBLIC

  • Number of pages

    21

  • Pages from-to

    27-47

  • UT code for WoS article

  • EID of the result in the Scopus database

    2-s2.0-105008476279