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Jokhang's Bathing Maitreya : The Story of an Unknown Statue and its Photographs

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F25%3A00144588" target="_blank" >RIV/00216224:14210/25:00144588 - isvavai.cz</a>

  • Result on the web

    <a href="https://hdl.handle.net/11222.digilib/digilib.83221" target="_blank" >https://hdl.handle.net/11222.digilib/digilib.83221</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.5817/Rel2025-42084" target="_blank" >10.5817/Rel2025-42084</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Jokhang's Bathing Maitreya : The Story of an Unknown Statue and its Photographs

  • Original language description

    The paper deals with one statue, located in the most sacred Tibetan Buddhist temple Jokhang in Lhasa, bearing the somewhat mysterious name of Bathing Maitreya. The 11th century statue is depicted in just two photographs and disappeared during the so-called Cultural Revolution in 1966. The first black and white photograph is by Ernst Krause from 1939, the second is in colour by Josef Vaniš from 1954. The paper places both photographs in their proper historical, religious and factual context. For the first time it publishes one of them, the Vaniš one, in its entirety, i.e. uncut, and correctly located and described. And for the second photograph, Krause's, the paper correctly identifies for the first time what it depicts. It is thus a visual reconstruction of a unique Tibetan statue, a replica of which is now in Lhasa in the same place as the original. The paper deals with one statue, located in the most sacred Tibetan Buddhist temple Jokhang in Lhasa, bearing the somewhat mysterious name of Bathing Maitreya. The 11th century statue is depicted in just two photographs and disappeared during the so-called Cultural Revolution in 1966. The first black and white photograph is by Ernst Krause from 1939, the second is in colour by Josef Vaniš from 1954. The paper places both photographs in their proper historical, religious and factual context. For the first time it publishes one of them, the Vaniš one, in its entirety, i.e. uncut, and correctly located and described. And for the second photograph, Krause's, the paper correctly identifies for the first time what it depicts. It is thus a visual reconstruction of a unique Tibetan statue, a replica of which is now in Lhasa in the same place as the original. The paper deals with one statue, located in the most sacred Tibetan Buddhist temple Jokhang in Lhasa, bearing the somewhat mysterious name of Bathing Maitreya. The 11th century statue is depicted in just two photographs and disappeared during the so-called Cultural Revolution in 1966. The first black and white photograph is by Ernst Krause from 1939, the second is in colour by Josef Vaniš from 1954. The paper places both photographs in their proper historical, religious and factual context. For the first time it publishes one of them, the Vaniš one, in its entirety, i.e. uncut, and correctly located and described. And for the second photograph, Krause's, the paper correctly identifies for the first time what it depicts. It is thus a visual reconstruction of a unique Tibetan statue, a replica of which is now in Lhasa in the same place as the original. The paper deals with one statue, located in the most sacred Tibetan Buddhist temple Jokhang in Lhasa, bearing the somewhat mysterious name of Bathing Maitreya. The 11th century statue is depicted in just two photographs and disappeared during the so-called Cultural Revolution in 1966. The first black and white photograph is by Ernst Krause from 1939, the second is in colour by Josef Vaniš from 1954. The paper places both photographs in their proper historical, religious and factual context. For the first time it publishes one of them, the Vaniš one, in its entirety, i.e. uncut, and correctly located and described. And for the second photograph, Krause's, the paper correctly identifies for the first time what it depicts. It is thus a visual reconstruction of a unique Tibetan statue, a replica of which is now in Lhasa in the same place as the original.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database

  • CEP classification

  • OECD FORD branch

    60304 - Religious studies

Result continuities

  • Project

    <a href="/en/project/GA23-06406S" target="_blank" >GA23-06406S: Representations and Role of Tibetan Buddhism in Narratives about Tibet from 1950s to Present</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2025

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Religio

  • ISSN

    1210-3640

  • e-ISSN

    2336-4475

  • Volume of the periodical

    33

  • Issue of the periodical within the volume

    2

  • Country of publishing house

    CZ - CZECH REPUBLIC

  • Number of pages

    26

  • Pages from-to

    193-218

  • UT code for WoS article

  • EID of the result in the Scopus database

    999