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The moral complexity of organising a civically engaged festival during the COVID-19 pandemic

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14230%2F23%3A00130031" target="_blank" >RIV/00216224:14230/23:00130031 - isvavai.cz</a>

  • Result on the web

    <a href="https://www.taylorfrancis.com/chapters/edit/10.4324/9781003254805-17" target="_blank" >https://www.taylorfrancis.com/chapters/edit/10.4324/9781003254805-17</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.4324/9781003254805-17" target="_blank" >10.4324/9781003254805-17</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    The moral complexity of organising a civically engaged festival during the COVID-19 pandemic

  • Original language description

    The COVID-19 pandemic opened many questions about the cultural sector’s ability to adapt to the disruptions of established forms of cultural production and consumption. Not only it exposed the full extent of precarity that characterizes labor relationships in this sector, but also its surprising resilience and flexibility. But what are the trade-offs of pandemic response? In this chapter, I focus on the case of a multi-genre cultural festival [fjúžn] and offer a detailed cultural sociological reconstruction of pandemic response of its organizers. Drawing on the theory of justification, I emphasize the role of moral expectations and evaluative judgments and argue that they played a crucial role in shaping decision-making that informed their response. I show that their response to the pandemic has started long before the festival production got affected by the pandemic in any practical terms, that they were able to respond to the pandemic creatively and in ways they found both meaningful and morally justifiable by making complex comprises, and that their growing recognition of the innovative potential of some practices, which were born out of these compromises, is likely to change their approach to the festival production in the future.

  • Czech name

  • Czech description

Classification

  • Type

    C - Chapter in a specialist book

  • CEP classification

  • OECD FORD branch

    50401 - Sociology

Result continuities

  • Project

  • Continuities

    S - Specificky vyzkum na vysokych skolach

Others

  • Publication year

    2023

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Book/collection name

    Remaking Culture and Music Spaces : Affects, Infrastructures, Futures

  • ISBN

    9781032184968

  • Number of pages of the result

    14

  • Pages from-to

    192-205

  • Number of pages of the book

    282

  • Publisher name

    Routledge, Taylor & Francis Group

  • Place of publication

    London

  • UT code for WoS chapter