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War and the Gothic

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14640%2F19%3A00109649" target="_blank" >RIV/00216224:14640/19:00109649 - isvavai.cz</a>

  • Result on the web

    <a href="https://hk-anglophone-conference.webnode.cz/" target="_blank" >https://hk-anglophone-conference.webnode.cz/</a>

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    War and the Gothic

  • Original language description

    War and the Gothic Eva Čoupková Gothic has a special relationship to military discourse, as militarist elements are present in The Castle of Otranto, Dracula, or Ann Radcliffe's work. In these early texts, war is mainly represented through architecture in the form of castles as fortifications. These structures become the symbols of the old tyrannical order to be destroyed or escaped from, as many characters attempt to do. Late nineteenth century writers, however, concentrated less on Gothic spaces; instead, they employed the Gothic discourse of horror to capture war injuries and psychological effects of violence. The American Civil War was powerfully chronicled by Ambrose Bierce; he used the Gothic to depict the horrors of the combat and evoke the physical and mental damage caused by war. He also demonstrated how tragic experiences can drive a person mad and depicted the effects of madness.

  • Czech name

  • Czech description

Classification

  • Type

    O - Miscellaneous

  • CEP classification

  • OECD FORD branch

    60200 - Languages and Literature

Result continuities

  • Project

  • Continuities

    S - Specificky vyzkum na vysokych skolach

Others

  • Publication year

    2019

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů