All

What are you looking for?

All
Projects
Results
Organizations

Quick search

  • Projects supported by TA ČR
  • Excellent projects
  • Projects with the highest public support
  • Current projects

Smart search

  • That is how I find a specific +word
  • That is how I leave the -word out of the results
  • “That is how I can find the whole phrase”

"STRANDED ON THE SHORES OF HISTORY"? MONUMENTS AND (ART-)HISTORICAL AWARENESS

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216305%3A26420%2F26%3A0197842" target="_blank" >RIV/00216305:26420/26:0197842 - isvavai.cz</a>

  • Result on the web

    <a href="https://onlinelibrary.wiley.com/doi/10.1111/hith.12382" target="_blank" >https://onlinelibrary.wiley.com/doi/10.1111/hith.12382</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1111/hith.12382" target="_blank" >10.1111/hith.12382</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    "STRANDED ON THE SHORES OF HISTORY"? MONUMENTS AND (ART-)HISTORICAL AWARENESS

  • Original language description

    Can past agents deliberately influence our historical awareness by designing objects' appearances and sending them to us down the stream of time? We know they have certainly tried to do so by raising monuments. But according to an influential narrative, the efforts of the "monumentalists" are destined to fail: no monument can keep a legacy alive in perpetuity. In this article, I argue that this narrative misrepresents the nature of the monumentalists' mission, and I set out to show that monumentality should be understood as a means of addressing what I term "art-historical awareness." This mode of historical awareness attends to artifacts' appearances in search of visual manifestations of relevance that can survive the loss of context. Those who raise monuments aim to produce such artifacts, or what amount to intentional art-historical documents, and they do so in order to overcome the tension between the monuments' nature as public art and their commemorative function. By visually manifesting a transcendent relevance, monuments ideally appeal to both present and distant audiences, insofar as these audiences are able to appreciate the monuments' potential to sustain at least a semblance of relevance beyond their immediate contexts.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database

  • CEP classification

  • OECD FORD branch

    60401 - Arts, Art history

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2025

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    History and Theory

  • ISSN

    0018-2656

  • e-ISSN

    1468-2303

  • Volume of the periodical

    64

  • Issue of the periodical within the volume

    3

  • Country of publishing house

    US - UNITED STATES

  • Number of pages

    21

  • Pages from-to

    338-358

  • UT code for WoS article

    001449689900001

  • EID of the result in the Scopus database