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Civilist Tendencies in the Inter-war Czech Music: at the Beginning of a Research

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F47813059%3A19240%2F19%3AA0000590" target="_blank" >RIV/47813059:19240/19:A0000590 - isvavai.cz</a>

  • Result on the web

    <a href="https://digilib.phil.muni.cz/bitstream/handle/11222.digilib/141572/1_MusicologicaBrunensia_54-2019-1_17.pdf?sequence=1" target="_blank" >https://digilib.phil.muni.cz/bitstream/handle/11222.digilib/141572/1_MusicologicaBrunensia_54-2019-1_17.pdf?sequence=1</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.5817/MB2019-1-15" target="_blank" >10.5817/MB2019-1-15</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Civilist Tendencies in the Inter-war Czech Music: at the Beginning of a Research

  • Original language description

    The study deals with “civilist” [civilistní] tendencies in music and musical culture of the interwar Czechoslovakia. The “civilism” [civilismus] in literature had its parallels in other areas of Czech artistic production too, especially in visual arts, and later – after the First World War – also in classical music. Since the culture of the First Czechoslovak Republic (1918–1938), being seen in its entirety, appears to be saturated with various reflections of modernity (either real modernity or imagined), the term “civilist” makes sense only when it refers to such works of art that unilaterally focus on representing the typical civilizational and civil moments and realities of the 1920s and 30s: sports, physical education and other leisure activities, jazz, tango and popular musical culture in general, attributes of the metropolitan environment, technical devices, machinery, cars, motorcycles, klaxons, airplanes, film, cabaret, circus, bar and cocktails, and various aspects of everyday urban life. Although the civilist tendencies represent a crucial and typical phenomenon of Czech music and musical culture of the interwar period, musicology has reflected them only very little and has not approached them as a particular research problem so far. The present study proposes hypotheses and methodology for a future research on musical civilism, gives an overview of contemporary discourse about musical civilism, and presents the most important musical works and topics which the future research should focus on.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database

  • CEP classification

  • OECD FORD branch

    60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Result continuities

  • Project

  • Continuities

    S - Specificky vyzkum na vysokych skolach

Others

  • Publication year

    2019

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Musicologica Brunensia

  • ISSN

    1212-0391

  • e-ISSN

  • Volume of the periodical

    54

  • Issue of the periodical within the volume

    1

  • Country of publishing house

    CZ - CZECH REPUBLIC

  • Number of pages

    15

  • Pages from-to

    237-251

  • UT code for WoS article

    000492833700015

  • EID of the result in the Scopus database