Romeo and Juliet: The Deconstruction of Romance, or a "Prefab Story"

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F49777513%3A23330%2F13%3A43921482" target="_blank" >RIV/49777513:23330/13:43921482 - isvavai.cz</a>
Result on the web
<a href="http://conference.uaa.utb.cz/tp2012/FromTheoryToPractice2012.pdf#page=279" target="_blank" >http://conference.uaa.utb.cz/tp2012/FromTheoryToPractice2012.pdf#page=279</a>
DOI - Digital Object Identifier
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Result language
angličtina
Original language name
Romeo and Juliet: The Deconstruction of Romance, or a "Prefab Story"
Original language description
In her work, Shakespeare and the Problem of Adaptation, Margaret Jane Kidnie (2009, 5) considers adaptation "as an evolving category [that] is closely tied to how the work modifies over time and from one reception space to another". Undoubtedly, adaptation can be addressed from various points of view, and assigned numerous definitions (e.g., Hutcheon 2006, Kidnie 2009, Bradley 2010, etc.). The Shakespearean drama represents a distinct intergenerational and intercultural medium that considerably shapes the discourse on adaptation. The aim of this article is to examine the production of Romeo and Juliet staged at the International Festival Theatre in 2011. It concludes by drawing a parallel between the modern Shakespearean adaptation and its progenitor in terms of the interpretive act of appropriation and transposition.
Czech name
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Czech description
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Publication year
2013
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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