Japanese traditional music and the possibilities of its use in music education in Europe

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F49777513%3A23420%2F22%3A43966661" target="_blank" >RIV/49777513:23420/22:43966661 - isvavai.cz</a>
Result on the web
<a href="https://dspace5.zcu.cz/bitstream/11025/50657/1/e-verze-2-36-46.pdf" target="_blank" >https://dspace5.zcu.cz/bitstream/11025/50657/1/e-verze-2-36-46.pdf</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.24132/ZCU.MUSICA.2022.03.35-45" target="_blank" >10.24132/ZCU.MUSICA.2022.03.35-45</a>

Result language
angličtina
Original language name
Japanese traditional music and the possibilities of its use in music education in Europe
Original language description
This article analyzes of philosophical approaches and methods of teaching musical instruments at traditional Japanese schools. These approaches have a long history within the Japanese Iemoto system. This study’s author highlights several similarities between some conceptual settings of the Japanese tradition and Carl Orff’s Schulwerk system. The article formulates a hypothesis about the possibility and expediency of mastering Japanese traditional music in Europe, also considering the pentatonic basis of Japanese modes. The article provides examples of the implementation of this idea (including the improvisational creativity of students on the instruments of Carl Orff in the style of Japanese traditional music) based on a generalization of the author’s practical experience.
Czech name
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Czech description
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Type
J<sub>ost</sub> - Miscellaneous article in a specialist periodical
CEP classification
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OECD FORD branch
50301 - Education, general; including training, pedagogy, didactics [and education systems]

Project
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Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Publication year
2022
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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