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Clay and alunite-rich materials in painting grounds of prominent Italian masters – Caravaggio and Mattia Preti

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461446%3A_____%2F20%3AN0000002" target="_blank" >RIV/60461446:_____/20:N0000002 - isvavai.cz</a>

  • Alternative codes found

    RIV/61388980:_____/20:00518621 RIV/60461446:_____/20:N0000048 RIV/00216208:11310/20:10413738

  • Result on the web

    <a href="https://www.sciencedirect.com/science/article/pii/S0169131719304703" target="_blank" >https://www.sciencedirect.com/science/article/pii/S0169131719304703</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1016/j.clay.2019.105412" target="_blank" >10.1016/j.clay.2019.105412</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Clay and alunite-rich materials in painting grounds of prominent Italian masters – Caravaggio and Mattia Preti

  • Original language description

    Recently, the fine arts' research is increasingly carried out by non-invasive techniques, which do not require any sampling. However, some questions cannot be answered in this way. A typical example is the provenance analysis of the natural materials used in historical paintings. Another question is how much the provenance of the material is related to the provenance of the artwork itself (because of trade with pigments, painters' migration and their artistic preferences). Often, only painter's preference and intention are mentioned, and not economic factors and regional availability of the raw material. This is also the case of clay-based preparatory layers (grounds) on Caravaggio's paintings. In order to prove a connection of the ground composition with the place of the painting's creation, the painting grounds used by two prominent Baroque Masters Caravaggio and Mattia Preti have been investigated using X-ray powder micro-diffraction and Fourier transform infrared micro-spectroscopy in combination with micro-palaentological analysis. It was found that grounds applied by the same painter, but in two closely related regions – Italy and Malta, differ. While pottery clays were used in Italy, weathered Globigerina limestones were applied in Malta in combination with alunite-hematite material. It is the first time ever that such material has been identified as a main component in painting grounds.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database

  • CEP classification

  • OECD FORD branch

    10504 - Mineralogy

Result continuities

  • Project

    <a href="/en/project/GA17-25687S" target="_blank" >GA17-25687S: Provenance analysis of Italian fine art by advanced approaches of geosciences and archaeometry</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2020

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Applied Clay Science

  • ISSN

    0169-1317

  • e-ISSN

    1872-9053

  • Volume of the periodical

    185

  • Issue of the periodical within the volume

    FEB 2020

  • Country of publishing house

    NL - THE KINGDOM OF THE NETHERLANDS

  • Number of pages

    13

  • Pages from-to

  • UT code for WoS article

    000510399600005

  • EID of the result in the Scopus database

    2-s2.0-85076631853