Remembering Exhibitions in Exhibition Form. Czechoslovak Exhibitions as Active Co-Creators of the Art History Narrative at the End of the 1960s
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461446%3A_____%2F23%3AN0000005" target="_blank" >RIV/60461446:_____/23:N0000005 - isvavai.cz</a>
Result on the web
<a href="https://vvp.avu.cz/en/sesit/notebook-35/" target="_blank" >https://vvp.avu.cz/en/sesit/notebook-35/</a>
DOI - Digital Object Identifier
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Alternative languages
Result language
angličtina
Original language name
Remembering Exhibitions in Exhibition Form. Czechoslovak Exhibitions as Active Co-Creators of the Art History Narrative at the End of the 1960s
Original language description
An exhibition is a medium for the presentation and communication of art that speaks specifically about a given time. Within the new discipline of exhibition histories, the attention of art historians is focused on these ephemeral historical moments. This study therefore examines the ways in which past exhibitions are approached in the rewriting of art history, above all within the context of Central and Eastern Europe. One possibility is a remembering exhibition in the form of a physical return to an iconic exhibition of the past. Drawing on two exhibitions by the Czech curator Jiří Padrta from the end of the 1960s – Někde něco / Somewhere Something and Nová citlivost / New Sensitivity – and comparing them with their closest Western counterparts, this study demonstrates that such reconstructive approaches are an important project of art history. It also presents arguments in favor of the utilization of specific forms of remembering exhibitions drawing on Reesa Greenberg’s typology, especially the exhibition riff, which, in the context of pursuing a horizontal or transnational art history, allows for a more complex immersion in the past and its connection with the present. Remembering exhibitions in exhibition form is thus an important tool for the re-contextualization and examination of a previously excluded art located outside the main art centers, through the lens of the contemporary globalized and decolonized world, as the study illustrates using the example of Jens Hoffmann’s recent curatorial projects.
Czech name
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Czech description
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Classification
Type
J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database
CEP classification
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OECD FORD branch
60400 - Arts (arts, history of arts, performing arts, music)
Result continuities
Project
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Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Others
Publication year
2023
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Data specific for result type
Name of the periodical
Sešit pro umění, teorii a příbuzné zóny
ISSN
1802-8918
e-ISSN
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Volume of the periodical
35
Issue of the periodical within the volume
35
Country of publishing house
CZ - CZECH REPUBLIC
Number of pages
37
Pages from-to
117-153
UT code for WoS article
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EID of the result in the Scopus database
999