Perception of Dance from the Japanese Body: Sixth Sense of a Dancer – Inner Touch or Outer Sight?

Result code in IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51110%2F17%3AN0000077" target="_blank" >RIV/61384984:51110/17:N0000077 - isvavai.cz</a>

Result on the web

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DOI - Digital Object Identifier

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Result language

angličtina

Original language name

Perception of Dance from the Japanese Body: Sixth Sense of a Dancer – Inner Touch or Outer Sight?

Original language description

In this study I present a philosophical concept riken no ken by Japanese theatrologists Zeami Motokiyo (1363-1443), as a theory concerning aesthetic perception and communication during dance performance. It can be looked at as a comparison to many Western kinesthetic theories, speaking about similar phenomena through a different language. His idea of perceiving the dancer's self from his own detached sight (feeling the eyes of the audience and seeing his own body by their eyes) while dancing is inspiring and thus can enrich our research in the question of dance and the senses.

Czech name

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Czech description

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Type

D - Article in proceedings

CEP classification

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OECD FORD branch

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Project

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Continuities

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Publication year

2017

Confidentiality

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Article name in the collection

Dance, Senses, Urban Contexts. 29th Symposium of the ICTM Study Group on Ethnohoreology

ISBN

978-3-8440-5335-7

ISSN

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e-ISSN

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Number of pages

8

Pages from-to

9-16

Publisher name

Shaker Verlag 2017

Place of publication

Graz, Austria

Event location

Retzhof Castle, Styria, Austria

Event date

Jul 9, 2016

Type of event by nationality

WRD - Celosvětová akce

UT code for WoS article

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