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Traditional instruments in public Music Secondary Schools and Universities of Greece: Methods of transmission and teaching

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51110%2F19%3AN0000038" target="_blank" >RIV/61384984:51110/19:N0000038 - isvavai.cz</a>

  • Result on the web

    <a href="https://www.ziva-hudba.info/index.php" target="_blank" >https://www.ziva-hudba.info/index.php</a>

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    Traditional instruments in public Music Secondary Schools and Universities of Greece: Methods of transmission and teaching

  • Original language description

    For researchers of Greek traditional music, 1988 is regarded as a landmark year, as it coincides with the founding of the first public Music Secondary School in Greece. One of the innovations of these schools was the inclusion of Greek traditional instruments in their curricula, for the first time in a state educational institution. By September 2019, there were 47 such schools operating in most major Greek cities. During the first 30 years of their existence, Music Secondary Schools seem to have made an important contribution to the field of traditional music, as re¬flected by the significant number of graduates who are professionally active today – either as performers or teachers. It should be mentioned that the first teachers of traditional instruments in these schools were professionally active folk musicians, who had “learned” their art orally. Interestingly, as most of them had no previous formal training in music or pedagogy, they were given the title empirotechnis (εμπειροτέχνης), which can be translated as “craft¬sperson by experience”. A second attempt at the “institutionalization” of traditional music in Greece took place in 2000, when two university schools of music started offering bachelor’s degrees with this specialization, meeting a work¬force need for “formally trained” teachers of traditional instruments. This paper explores the shift from informal to formal music teaching and learning of traditional Greek instruments by examining related studies over the last 30 years, with a special focus on methods of transmission.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>ost</sub> - Miscellaneous article in a specialist periodical

  • CEP classification

  • OECD FORD branch

    60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2019

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Živá hudba

  • ISSN

    0514-7735

  • e-ISSN

  • Volume of the periodical

    10

  • Issue of the periodical within the volume

    10/2019

  • Country of publishing house

    CZ - CZECH REPUBLIC

  • Number of pages

    12

  • Pages from-to

    72-84

  • UT code for WoS article

  • EID of the result in the Scopus database