Scenographer Antonín Heythum and his work in the US: the case of King Lear

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51210%2F18%3AN0000047" target="_blank" >RIV/61384984:51210/18:N0000047 - isvavai.cz</a>
Result on the web
<a href="https://digilib.phil.muni.cz/bitstream/handle/11222.digilib/138514/1_Theatralia_21-2018-2_6.pdf?sequence=1" target="_blank" >https://digilib.phil.muni.cz/bitstream/handle/11222.digilib/138514/1_Theatralia_21-2018-2_6.pdf?sequence=1</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.5817/TY2018-2-4" target="_blank" >10.5817/TY2018-2-4</a>

Result language
angličtina
Original language name
Scenographer Antonín Heythum and his work in the US: the case of King Lear
Original language description
The article focuses on the stage designs of Antonín Heythum. Heythum's work during the interwar period is relatively well known and has been (somewhat incorrectly) aligned with Constructivist scenography. We, however, have only scarce information about his work in the US, where he lived after 1939. The article discusses Heythum's war and post-war life and work paying special attention to the production of King Lear, an extraordinary stage experiment directed by Erwin Piscator in New York. The article also examines Heythum's pedagogical activities in the United States.
Czech name
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Czech description
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Type
J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database
CEP classification
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OECD FORD branch
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Project
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Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Publication year
2018
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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