Reflections on sonic digital unreality

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51310%2F19%3AN0000135" target="_blank" >RIV/61384984:51310/19:N0000135 - isvavai.cz</a>
Result on the web
<a href="https://www.tandfonline.com/doi/full/10.1080/14626268.2019.1653929" target="_blank" >https://www.tandfonline.com/doi/full/10.1080/14626268.2019.1653929</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1080/14626268.2019.1653929" target="_blank" >10.1080/14626268.2019.1653929</a>

Result language
angličtina
Original language name
Reflections on sonic digital unreality
Original language description
This paper explores the possibility of constructing an unreal environment through sound, particularly through the use of contemporary digital tools. The idea of the unreal is approached as a not being-in-the-world experience. That is, an experience which expands the natural embodied physicality. And yet, sound propagation through a physical space, which led to the study of reverberation and spatialization as the main subjects of interest. Consequently, reverb became the main tool to explore the subject in practice. Due to the project’s multidisciplinarity, the subject had different approaches: from the possibility of reverb as a tool for fiction-making, to listener’s comprehensibility and readability of the events; exploring spatialization techniques and multichannel reproduction systems to finally conclude with the idea that, in the end, sound relies on the listener’s actual physical experience of the space.
Czech name
—
Czech description
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Type
J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database
CEP classification
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OECD FORD branch
60500 - Other Humanities and the Arts

Publication year
2019
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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