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Disappearance of the face: From early photography to facial recognition systems

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51310%2F24%3AN0000103" target="_blank" >RIV/61384984:51310/24:N0000103 - isvavai.cz</a>

  • Result on the web

    <a href="https://intellectdiscover.com/content/journals/10.1386/pop_00098_1" target="_blank" >https://intellectdiscover.com/content/journals/10.1386/pop_00098_1</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1386/pop_00098_1" target="_blank" >10.1386/pop_00098_1</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Disappearance of the face: From early photography to facial recognition systems

  • Original language description

    In this article I analyse the hidden genealogical link between portrait photography, used for criminological and psychiatric purposes, and contemporary systems of biometric identification of the human face. The aim is to highlight the shift between the emphasis on the importance of the human ‘expert eye’ in recognizing the face when talking about nineteenth-century photography and the use of computer technology that produces and reads digital facial images. In both cases, however, these are modes and variants of reducing and flattening the human face; the face itself disappears under the onslaught of technologies of vision and mediation, becoming a mere data set. Special attention is devoted to the pose, the frontal view, whichis the technological a priori of the empirical possibility of recognition, articulated through the history of visualization of the face from early portrait photography to facial recognition systems. Consequently, what we call the ‘face’ is a simulacra of individual the face presented to the apparatus: the ‘real’ face is transposed upon multiple technological layers (camera – plates – photographic surface), losing its characteristic features to be re-written according to specific techniques of measurement.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database

  • CEP classification

  • OECD FORD branch

    60405 - Studies on Film, Radio and Television

Result continuities

  • Project

    <a href="/en/project/GX19-26865X" target="_blank" >GX19-26865X: Operational Images and Visual Culture: Media Archaeological Investigations</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2024

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Philosophy of Photography

  • ISSN

    2040-3682

  • e-ISSN

    2040-3690

  • Volume of the periodical

    15

  • Issue of the periodical within the volume

    1-2

  • Country of publishing house

    GB - UNITED KINGDOM

  • Number of pages

    14

  • Pages from-to

    159-172

  • UT code for WoS article

    001266898800011

  • EID of the result in the Scopus database