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Machines of Articulation: Reading Politics through Aesthetic Operations

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51310%2F24%3AN0000106" target="_blank" >RIV/61384984:51310/24:N0000106 - isvavai.cz</a>

  • Result on the web

    <a href="https://tidsskrift.dk/nja/article/view/152367" target="_blank" >https://tidsskrift.dk/nja/article/view/152367</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.7146/nja.v33i68.152367" target="_blank" >10.7146/nja.v33i68.152367</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Machines of Articulation: Reading Politics through Aesthetic Operations

  • Original language description

    This article is articulated in three voices of scholars who have worked on questions of war, visual culture, and contemporary political aesthetics that also relates to art and film practices. Media theorist Jussi Parikka, literary scholar Anders Engberg-Pedersen, and visual culture researcher Daniela Agostinho address the relations between images, aesthetics and operations through the lens of two books published concomitantly, Parikka’s Operational Images: From the Visual to the Invisual and Engberg-Pedersen’s Martial Aesthetics: How War Became an Art Form. Both books expand the scope of what Czechoslovakian-born filmmaker Harun Farocki termed “operational images” in his experimental documentaries and theoretical writings from the early 2000s. Through his analyses of the politics of imagery in the military-industrial context, Farocki notably defined “operational images” as images that do not depict or represent but rather perform tasks such as tracking, surveilling, detecting, and targeting. For both Parikka and Engberg-Pedersen, Farocki’s central concept of operational images forms a point of departure for writing media archaeologies of the present. In a three-voiced dialogue, the authors unfold operations as a “machine of articulation,” a conceptual and analytical device that reveals surprising linkages and frictions across different themes, techniques, scales, and historical periods.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>ost</sub> - Miscellaneous article in a specialist periodical

  • CEP classification

  • OECD FORD branch

    60405 - Studies on Film, Radio and Television

Result continuities

  • Project

    <a href="/en/project/GX19-26865X" target="_blank" >GX19-26865X: Operational Images and Visual Culture: Media Archaeological Investigations</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2024

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    The Nordic Journal of Aesthetics

  • ISSN

    2000-1452

  • e-ISSN

    2000-9607

  • Volume of the periodical

    2024

  • Issue of the periodical within the volume

    68

  • Country of publishing house

    DK - DENMARK

  • Number of pages

    24

  • Pages from-to

    116-139

  • UT code for WoS article

  • EID of the result in the Scopus database