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Clay Minerals in European Painting of the Mediaeval and Baroque Periods

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61388980%3A_____%2F20%3A00524430" target="_blank" >RIV/61388980:_____/20:00524430 - isvavai.cz</a>

  • Alternative codes found

    RIV/60461446:_____/20:N0000001 RIV/60461446:_____/20:N0000003

  • Result on the web

    <a href="http://hdl.handle.net/11104/0308790" target="_blank" >http://hdl.handle.net/11104/0308790</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.3390/min10030255" target="_blank" >10.3390/min10030255</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Clay Minerals in European Painting of the Mediaeval and Baroque Periods

  • Original language description

    Clay-based pigments are among the most traditional. Unlike other mineral pigments, they have never been fully replaced by synthetic analogues and are still used in painting today. Since their analysis requires a specific approach, detailed distinction of clay pigments has never been a part of routine chemical-technological research in fine arts-regardless of a great potential of clay minerals for determining regional provenance of the material. This review article maps and summarizes research on clay pigments in historical paintings that has been systematically pursued by authors since the beginning of this millennium. This rallying and interconnection of knowledge was an opportunity for a new reflection on the common aspects of these research projects, either methodological or interdisciplinary, since these findings are closely related to art-historical evaluation of artworks. It offers a comprehensive insight into the microanalysis of clay pigments with using powder X-ray micro-diffraction and complementary methods. Significant new findings come, for example, from research on the Italian Baroque. It becomes clear that cheap availability of raw material, pottery clays, could have played an important role in the change in painting technology at the turn of the 16th and 17th centuries.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database

  • CEP classification

  • OECD FORD branch

    10504 - Mineralogy

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2020

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Minerals

  • ISSN

    2075-163X

  • e-ISSN

  • Volume of the periodical

    10

  • Issue of the periodical within the volume

    3

  • Country of publishing house

    CH - SWITZERLAND

  • Number of pages

    21

  • Pages from-to

    255

  • UT code for WoS article

    000529217000052

  • EID of the result in the Scopus database

    2-s2.0-85081560927