All

What are you looking for?

All
Projects
Results
Organizations

Quick search

  • Projects supported by TA ČR
  • Excellent projects
  • Projects with the highest public support
  • Current projects

Smart search

  • That is how I find a specific +word
  • That is how I leave the -word out of the results
  • “That is how I can find the whole phrase”

Satirical Approach to Shoah Business and the Cult of Victimhood

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61988987%3A17250%2F19%3AA20021ER" target="_blank" >RIV/61988987:17250/19:A20021ER - isvavai.cz</a>

  • Result on the web

    <a href="https://www.mdpi.com/2313-5778/3/4/51" target="_blank" >https://www.mdpi.com/2313-5778/3/4/51</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.3390/genealogy3040051" target="_blank" >10.3390/genealogy3040051</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Satirical Approach to Shoah Business and the Cult of Victimhood

  • Original language description

    This paper sets out to demonstrate the changes that post-Holocaust fiction has been undergoing since around the turn of the new millennium. It analyzes the highly innovative and often provocative approaches to the Holocaust and its memory found in Tova Reich’s novel My Holocaust—a scathing satire on the personal and institutional exploitation of Holocaust commemoration, manifested in the commodification of the historical trauma in what has been termed “Shoah business”. The novel can be seen as a reaction to the increasing appropriation of the Holocaust by popular culture. This paper focuses on Reich’s critical response to the cult of victimhood and the unhealthy competition for Holocaust primacy, corresponding with the growth of a “victim culture”. It also explores other thematic aspects of the author’s satire—the abuse of the term “Holocaust” for personal, political and ideological purposes; attempts to capitalize on the suffering of millions of victims; the trivialization of this tragedy; conflicts between particularists and universalists in their attitude to the Shoah; and criticism of Holocaust-centered Judaism. The purpose of this paper is to show how Tova Reich has enriched post-Holocaust fiction by presenting a comic treatment of false victimary discourse, embodied by a fraudulent survivor and a whole gallery of inauthentic characters. This paper highlights the novel’s originality, which enables it to step outside the frame of traditional Holocaust fiction.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>ost</sub> - Miscellaneous article in a specialist periodical

  • CEP classification

  • OECD FORD branch

    60206 - Specific literatures

Result continuities

  • Project

  • Continuities

    V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Others

  • Publication year

    2019

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Genealogy

  • ISSN

    2313-5778

  • e-ISSN

  • Volume of the periodical

    3

  • Issue of the periodical within the volume

    4

  • Country of publishing house

    CH - SWITZERLAND

  • Number of pages

    11

  • Pages from-to

    51

  • UT code for WoS article

  • EID of the result in the Scopus database