Contrapuntal text and rondo (in the poetry of Desmond Egan and Jaroslav Seifert)

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61988987%3A17450%2F19%3AA20020WI" target="_blank" >RIV/61988987:17450/19:A20020WI - isvavai.cz</a>
Result on the web
<a href="https://www.researchgate.net/publication/335849916_Contrapuntal_text_and_rondo_in_the_poetry_of_Desmond_Egan_and_Jaroslav_Seifert" target="_blank" >https://www.researchgate.net/publication/335849916_Contrapuntal_text_and_rondo_in_the_poetry_of_Desmond_Egan_and_Jaroslav_Seifert</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.18778/1505-9057.52.20" target="_blank" >10.18778/1505-9057.52.20</a>

Result language
angličtina
Original language name
Contrapuntal text and rondo (in the poetry of Desmond Egan and Jaroslav Seifert)
Original language description
This paper is concerned with complicated problems of relations between poetry and music. It tries to show that one of contact points of both arts can be a phenomenon of musical form in poetry, strictly speaking a method of poetry creation form on musical principle. For this paper two illustrations of the mentioned process are chosen: an Irish poet Desmond Egan´s contrapuntal poems (the ones are chosen from all Egan´s poetry) and a Czech poet Jaroslav Seifert´s roundel in his piece of art Mozart in Prague.
Czech name
—
Czech description
—

Publication year
2019
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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