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Transmedia principles in impressionism spanning painting, music and literature

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61988987%3A17450%2F21%3AA2202A22" target="_blank" >RIV/61988987:17450/21:A2202A22 - isvavai.cz</a>

  • Result on the web

    <a href="https://link.springer.com/article/10.1007%2Fs11059-020-00558-7" target="_blank" >https://link.springer.com/article/10.1007%2Fs11059-020-00558-7</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1007/s11059-020-00558-7" target="_blank" >10.1007/s11059-020-00558-7</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Transmedia principles in impressionism spanning painting, music and literature

  • Original language description

    This article explores transmedia principles in impressionism spanning painting, music and literature. The introduction focuses on concepts with the suffix -ism in scholarly communication (especially in literary theory and the general theory of art). Applying the concept of intermediality, it is possible to explore the intersection of all three above-listed arts and to identify, name and systematize stable principles which universally characterize impressionism. Theoreticians of intermediality (I. Rajewsky, W. Wolf) characterize these principles as non-media-specific and migrating, indicating that a particular aesthetic may be applied in different arts. The principles identified in this paper (hic et nunc, transposition, three-dimensionality and imagination, the two-stage reception of impressionist works, equivalent principles in techniques for expressing colour and light, similar genres and themes, and a shared goal–the optical integrity of the world) indicate that impressionism takes a unified noetic approach to reality, and thus these principles can be characterized as transmedia principles. Paradoxically, thanks to these principles, we are aware of the specificity of each of the arts as a distinctive system of signs. Parallel or equivalent structures can thus occur in different arts, accentuating either the visual aspect (painting), the auditive aspect (music), or a combination of both aspects (literature).

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database

  • CEP classification

  • OECD FORD branch

    60204 - General literature studies

Result continuities

  • Project

  • Continuities

    V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Others

  • Publication year

    2021

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Neohelicon (Acta comparationis litterarum universarum)

  • ISSN

    0324-4652

  • e-ISSN

    1588-2810

  • Volume of the periodical

    48

  • Issue of the periodical within the volume

    1

  • Country of publishing house

    HU - HUNGARY

  • Number of pages

    13

  • Pages from-to

    299-312

  • UT code for WoS article

  • EID of the result in the Scopus database

    2-s2.0-85074026532