There Is Nothing Like Women’s Art. Work, Positions and Emancipation of Female Artists in Czechoslovakia during the Normalisation Period

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61988987%3A17500%2F21%3AA2302ENA" target="_blank" >RIV/61988987:17500/21:A2302ENA - isvavai.cz</a>
Result on the web
<a href="http://miejsce.asp.waw.pl/en/there-is-nothing-like-womens-art-work-positions-and-emancipation-of-female-artists-in-czechoslovakia-during-the-normalisation-period/" target="_blank" >http://miejsce.asp.waw.pl/en/there-is-nothing-like-womens-art-work-positions-and-emancipation-of-female-artists-in-czechoslovakia-during-the-normalisation-period/</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.48285/ASPWAW.24501611.MCE.2021.7.4" target="_blank" >10.48285/ASPWAW.24501611.MCE.2021.7.4</a>

Result language
angličtina
Original language name
There Is Nothing Like Women’s Art. Work, Positions and Emancipation of Female Artists in Czechoslovakia during the Normalisation Period
Original language description
The paper examines the term “women’s art” and its connotations in the Czechoslovak art scene during socialism. Focusing on the artistic and social milieu of that time, it will try to find out why there were such negative feelings about feminist ideas among female artists of the region, and how the artists perceived their positions and opportunities. Comparing the work of important artists (such as Běla Kolářová, Adriena Šimotová, Eva Kmentová, Naďa Plíšková and Zorka Ságlová), it will show significant features of their approach and artistic methods, questioning whether there are any similarities or common features that can be interpreted in the context of specific female experience.
Czech name
—
Czech description
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Publication year
2021
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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