Karl Goldmark and Czech National Opera: The Final Operas of Antonín Dvořák and Zdeněk Fibich

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F16%3A73582310" target="_blank" >RIV/61989592:15210/16:73582310 - isvavai.cz</a>
Result on the web
<a href="http://dx.doi.org/10.1556/6.2016.57.3-4.4" target="_blank" >http://dx.doi.org/10.1556/6.2016.57.3-4.4</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1556/6.2016.57.3-4.4" target="_blank" >10.1556/6.2016.57.3-4.4</a>

Result language
angličtina
Original language name
Karl Goldmark and Czech National Opera: The Final Operas of Antonín Dvořák and Zdeněk Fibich
Original language description
Dvořák and Fibich gave increased attention to opera composition during the 1890’s and the beginning of the twentieth century. They both crowned their achievements with monumental operas on subjects with historical settings; Fibich’s The Fall of Arkona (1900) and Dvořák‘s Armida (1904). The reason for this apparent coincidence was, in part, that these works were written after Wagner’s operas and before the operatic successes of Richard Strauss, when it was possible to devise free combinations of symphonically composed scenes, arioso-like vocal lines influenced by verismo, and the dramaturgical effects of grand opera. As a praised model for successful historical opera could serve Karl Goldmark´s famous work Die Königin von Saba.
Czech name
—
Czech description
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Type
J<sub>ost</sub> - Miscellaneous article in a specialist periodical
CEP classification
—
OECD FORD branch
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Publication year
2016
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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