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The Position of Italian Opera Repertoire in Austrian Province Theatres: The Case of the Olomouc Theatre (1830–1920)

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F19%3A73597067" target="_blank" >RIV/61989592:15210/19:73597067 - isvavai.cz</a>

  • Result on the web

    <a href="http://csjh.upol.cz/archive/" target="_blank" >http://csjh.upol.cz/archive/</a>

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    The Position of Italian Opera Repertoire in Austrian Province Theatres: The Case of the Olomouc Theatre (1830–1920)

  • Original language description

    Throughout the nineteenth century, operas by Italian composers were part of the basic repertoire of all European and non-European theatre ensembles, which also included opera singers. The example of the Olomouc theatre demonstrates how the relationship to Italian opera was changing in the Austrian, and later Austro-Hungarian, monarchy.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>ost</sub> - Miscellaneous article in a specialist periodical

  • CEP classification

  • OECD FORD branch

    60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Result continuities

  • Project

  • Continuities

    S - Specificky vyzkum na vysokych skolach

Others

  • Publication year

    2019

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Czech and Slovak Journal of Humanities

  • ISSN

    1805-3742

  • e-ISSN

  • Volume of the periodical

    2019

  • Issue of the periodical within the volume

    2

  • Country of publishing house

    CZ - CZECH REPUBLIC

  • Number of pages

    15

  • Pages from-to

    45-59

  • UT code for WoS article

  • EID of the result in the Scopus database