The Position of Italian Opera Repertoire in Austrian Province Theatres: The Case of the Olomouc Theatre (1830–1920)
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F19%3A73597067" target="_blank" >RIV/61989592:15210/19:73597067 - isvavai.cz</a>
Result on the web
<a href="http://csjh.upol.cz/archive/" target="_blank" >http://csjh.upol.cz/archive/</a>
DOI - Digital Object Identifier
—
Alternative languages
Result language
angličtina
Original language name
The Position of Italian Opera Repertoire in Austrian Province Theatres: The Case of the Olomouc Theatre (1830–1920)
Original language description
Throughout the nineteenth century, operas by Italian composers were part of the basic repertoire of all European and non-European theatre ensembles, which also included opera singers. The example of the Olomouc theatre demonstrates how the relationship to Italian opera was changing in the Austrian, and later Austro-Hungarian, monarchy.
Czech name
—
Czech description
—
Classification
Type
J<sub>ost</sub> - Miscellaneous article in a specialist periodical
CEP classification
—
OECD FORD branch
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)
Result continuities
Project
—
Continuities
S - Specificky vyzkum na vysokych skolach
Others
Publication year
2019
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Data specific for result type
Name of the periodical
Czech and Slovak Journal of Humanities
ISSN
1805-3742
e-ISSN
—
Volume of the periodical
2019
Issue of the periodical within the volume
2
Country of publishing house
CZ - CZECH REPUBLIC
Number of pages
15
Pages from-to
45-59
UT code for WoS article
—
EID of the result in the Scopus database
—