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Multiple authorship in Anna Karenina (1935): Adapting Tolstoy’s literary classic in the Hollywood studio era

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F20%3A73605580" target="_blank" >RIV/61989592:15210/20:73605580 - isvavai.cz</a>

  • Result on the web

    <a href="https://obd.upol.cz/id_publ/333185466" target="_blank" >https://obd.upol.cz/id_publ/333185466</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1386/jafp_00028_1" target="_blank" >10.1386/jafp_00028_1</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Multiple authorship in Anna Karenina (1935): Adapting Tolstoy’s literary classic in the Hollywood studio era

  • Original language description

    Among the numerous film adaptations of Anna Karenina, the 1935 version produced by David O. Selznick for Metro-Goldwyn-Mayer remains one of the most acclaimed and celebrated ‐ undoubtedly owing to its high production values and the performance and ‘star presence’ of the legendary Greta Garbo. However, the film has also been criticized for distorting and simplifying Tolstoy’s literary classic. In this article, I focus on the process of transposing Anna Karenina into the Hollywood screen version, locating causes of the adaptation process in extra-textual factors. Specifically, I address the economic and industry discourse represented by the MGM studio and its house style; the censorship discourse represented by the Production Code Administration, Hollywood’s self-regulatory body headed by Joseph Breen; and the star discourse represented by Garbo. In the process, I identify and describe the industrial, economic and cultural determinants which brought about MGM’s version of Anna Karenina. At the same time, by perceiving Selznick, Breen and Garbo as co-authors of the film, I redefine and complicate the issue of authorship.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>ost</sub> - Miscellaneous article in a specialist periodical

  • CEP classification

  • OECD FORD branch

    60405 - Studies on Film, Radio and Television

Result continuities

  • Project

    <a href="/en/project/GA17-06451S" target="_blank" >GA17-06451S: Star-maker: David O. Selznick and the Hollywood Star System, 1935–1957</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2020

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Journal of Adaptation in Film &amp; Performance

  • ISSN

    1753-6421

  • e-ISSN

  • Volume of the periodical

    13

  • Issue of the periodical within the volume

    3

  • Country of publishing house

    GB - UNITED KINGDOM

  • Number of pages

    20

  • Pages from-to

    "203–222"

  • UT code for WoS article

    000621239300003

  • EID of the result in the Scopus database