Karel Husa and the Reception of his Work in the Czech Lands after 1989

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F22%3A73618140" target="_blank" >RIV/61989592:15210/22:73618140 - isvavai.cz</a>
Result on the web
<a href="https://www.phil.muni.cz/journals/index.php/musicologica-brunensia/pages/view/archive" target="_blank" >https://www.phil.muni.cz/journals/index.php/musicologica-brunensia/pages/view/archive</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.5817/MB2022-2-8" target="_blank" >10.5817/MB2022-2-8</a>

Result language
angličtina
Original language name
Karel Husa and the Reception of his Work in the Czech Lands after 1989
Original language description
Research into the performance and reception of Husa’s work in the Czech Republic overthe past thirty years has shown that Husa’s orchestral, chamber and solo compositions wereplayed by top artists and nearly all orchestral ensembles. In addition to the most popular Musicfor Prague 1968, the Czech concert audience have been introduced to a sample representingall the phases of the composer’s career. Although Husa’s work has been enjoying a growingpopularity, it has yet to become a staple of concert programs.
Czech name
—
Czech description
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Type
J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database
CEP classification
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OECD FORD branch
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Project
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Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Publication year
2022
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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