Playing the System: Content Recognition Technologies and the Creative Process of Sampling Musicians

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F23%3A73619492" target="_blank" >RIV/61989592:15210/23:73619492 - isvavai.cz</a>
Result on the web
<a href="https://journals.muni.cz/mujlt/article/view/33181" target="_blank" >https://journals.muni.cz/mujlt/article/view/33181</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.5817/MUJLT2023-1-5" target="_blank" >10.5817/MUJLT2023-1-5</a>

Result language
angličtina
Original language name
Playing the System: Content Recognition Technologies and the Creative Process of Sampling Musicians
Original language description
In the first part of the study, we summarize the existing types of copyright bots. In the second part, we present the current state of legal research on the implementation of copyright bots and our own analysis which focuses on the Czech Supreme Court’s decision concerning copyright bots. The core of this paper concerns the impact of copyright bots on the work of sampling musicians and how the creativity of musicians is shaped by their struggle to avoid detection of sampled music by bots in the online environment.
Czech name
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Czech description
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Type
J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database
CEP classification
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OECD FORD branch
50803 - Information science (social aspects)

Publication year
2023
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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