The Gulf between Music Theory and Practice: Subjectivity, Spirituality, and Other Scholarly Inconveniences
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F23%3A73621568" target="_blank" >RIV/61989592:15210/23:73621568 - isvavai.cz</a>
Result on the web
<a href="https://www.mdpi.com/2077-1444/14/11/1344" target="_blank" >https://www.mdpi.com/2077-1444/14/11/1344</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.3390/rel14111344" target="_blank" >10.3390/rel14111344</a>
Alternative languages
Result language
angličtina
Original language name
The Gulf between Music Theory and Practice: Subjectivity, Spirituality, and Other Scholarly Inconveniences
Original language description
For much of history, philosophers and theorists have considered the abstract, rational contemplation of music to be the true form of spiritual activity. This has often come at the cost of making the practical aspect of music (which consists of listening, performance, subjective experience, among others) subservient to theory. This paper examines the implications of separating abstract music theory from its practical side and explores where spirituality can be situated. It was not until the nineteenth century, under the influence of Schopenhauer, that a proper unification of music theory and practice truly took on metaphysical and spiritual dimensions. Schopenhauerian metaphysics allowed music to legitimately become a spiritual refuge in the age of positivism, paving the way for projects such as Scriabin’s Mysterium. The described tension between theory and practice in Western music will be contrasted with Sufism as a point of comparison. The comparison will illustrate how a spiritual movement like Sufism poses a challenge for musicological research. Additionally, reflecting on the state of current music research, the paper explores how music and musicology of the twentieth century onward fall short of the spiritual aspirations of preceding generations.
Czech name
—
Czech description
—
Classification
Type
J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database
CEP classification
—
OECD FORD branch
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)
Result continuities
Project
—
Continuities
S - Specificky vyzkum na vysokych skolach
Others
Publication year
2023
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Data specific for result type
Name of the periodical
Religions
ISSN
2077-1444
e-ISSN
—
Volume of the periodical
14
Issue of the periodical within the volume
11
Country of publishing house
CH - SWITZERLAND
Number of pages
16
Pages from-to
—
UT code for WoS article
001119797500001
EID of the result in the Scopus database
2-s2.0-85178312278