Beyond Borders: Mobility and sites of exchange among interwar avant-garde theatres in Central-Eastern Europe. Introduction
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F23%3A73623328" target="_blank" >RIV/61989592:15210/23:73623328 - isvavai.cz</a>
Result on the web
<a href="https://obd.upol.cz/id_publ/333203215" target="_blank" >https://obd.upol.cz/id_publ/333203215</a>
DOI - Digital Object Identifier
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Alternative languages
Result language
angličtina
Original language name
Beyond Borders: Mobility and sites of exchange among interwar avant-garde theatres in Central-Eastern Europe. Introduction
Original language description
Introduction to the transnational and international theatrical exchanges, collaborations and mobility of the interwar theatre avant-gardes in Central and Eastern Europe. The aim of the texts presented is to highlight these common contacts in relation to the heterogeneity of the environments in which they were performed. Nevertheless, the common dynamic can be observed in the relationship between internationalist ambitions and negotiations with local 'home' traditions. In general, the chapter assumes that transnational, international and decentred approaches are very relevant to the history of avant-garde theatre in Central and Eastern Europe. In particular, the idea of questioning 'centre-periphery' relations, which has emerged in recent avant-garde studies, should be brought to bear on the study of avant-garde theatre in the geopolitical contexts of 1920s and 1930s Central and Eastern Europe. The questioning of 'centre-periphery' relations in the field of theatre studies brings into focus the idea of a non-hierarchical history of avant-garde theatre beyond Western-centred influences, the internationality of avant-garde theatre beyond the concept of national theatres, the cross-border and sometimes transnational networked exchanges. To study avant-garde theatre from this perspective in the historical context of post-war Europe, we can ask the following questions How were pre-war contacts and forms of cultural exchange transformed in relation to theatre? What new cultural nodes and networks were created? What were the specific dynamics in the negotiation between international ambitions and local theatrical traditions performed in different places in Central and Eastern Europe?
Czech name
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Czech description
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Classification
Type
C - Chapter in a specialist book
CEP classification
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OECD FORD branch
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)
Result continuities
Project
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Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Others
Publication year
2023
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Data specific for result type
Book/collection name
A Lexicon of the Central-Eastern European Interwar Theatre Avant-garde
ISBN
978-83-67682-17-6
Number of pages of the result
9
Pages from-to
165-173
Number of pages of the book
700
Publisher name
Instytut Teatralny im. Zbigniewa Raszewskiego
Place of publication
Warsaw
UT code for WoS chapter
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