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The Transmutations of Time: A Retrospective Exhibition on Yang Zhichao's Performance Art

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F24%3A73630704" target="_blank" >RIV/61989592:15210/24:73630704 - isvavai.cz</a>

  • Result on the web

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    The Transmutations of Time: A Retrospective Exhibition on Yang Zhichao's Performance Art

  • Original language description

    For over three decades now, Yang Zhichao has been researching an equilibrium across the three dimensions of Performance Art—the body, the site, and time. In Yang’s art, the site asks questions on who we are: Do I belong here? Am I sane? How do we get to understand one another in society? The body asks questions on control: Whose body is this? Do I have the freedom to break arbitrary boundaries between life and art? How do pain and violence that I do not control become a gateway to the most elusive and quotidian thoughts? This exhibition focuses on the dimension of time in Yang Zhichao’s performance art, and particularly on the ways in which time turns into something else when a meditative connection between body and site is established. The body then becomes a vessel for the memory of what is meant to be forgotten—a tool to leave and receive traces of growth, alteration, loss, dislocation. Recording the occurrence of simple events also becomes a method for the sublimation and deposition of the substance of time. Hence, diaries, charts, and other methods of recording are important to Yang both as physical artifacts and as mnemonic tools to overcome the limits of the body and the site. The works of performance art that Yang Zhichao has created in his long artistic career are numerous and varied, and this retrospective exhibition does not aim at presenting an exhaustive or even representative selection of them. Instead, by showing a very small and focussed set of his most meaningful works, it aims to introduce the viewer to Yang’s distinctively subdued and anti-spectacular approach to time-based art.

  • Czech name

  • Czech description

Classification

  • Type

    E<sub>nekrit</sub> - Exhibition

  • CEP classification

  • OECD FORD branch

    60401 - Arts, Art history

Result continuities

  • Project

    <a href="/en/project/EH22_010%2F0002593" target="_blank" >EH22_010/0002593: MSCA Fellowships at Palacky University in Olomouc I.</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2024

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Event location

    Prague

  • Event country

    CZ - CZECH REPUBLIC

  • Event starting date

  • Event ending date

  • Total number of attendees

    1

  • Foreign attendee count

  • Type of event by attendee nationality

    CST - Celostátní akce