All

What are you looking for?

All
Projects
Results
Organizations

Quick search

  • Projects supported by TA ČR
  • Excellent projects
  • Projects with the highest public support
  • Current projects

Smart search

  • That is how I find a specific +word
  • That is how I leave the -word out of the results
  • “That is how I can find the whole phrase”

Multimodal Mirroring in ‘The Black Cat’

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F25%3A73630623" target="_blank" >RIV/61989592:15210/25:73630623 - isvavai.cz</a>

  • Result on the web

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    Multimodal Mirroring in ‘The Black Cat’

  • Original language description

    Few works have been adapted to comics as frequently as the short stories of Edgar Allan Poe. This research comic, illustrated fluidly in the styles of the comics being examined, proposes to focus on the function of mirroring (Carroll 1990) complicated within Lim’s framework (2007) for analysing intersemiosis in a multimodal text throughout a range of adaptations of Poe’s short story “The Black Cat” (1893). Featured in over forty comic book adaptations, this comic will consider adaptations from 1944 to 1974, and will reflect on the earlier illustrations of “The Black Cat” by Aubrey Beardsley (1895-96) and Harry Clarke (1919). Mirroring plays a different role in the composition of a horror comic than it does in film, and this is reflected in the page layout, the visual composition which communicates mirroring, and the multimodal reading of mirroring. While mirroring initially acts as an amplifier to the reveal of the wife’s body in final illustration, mirroring expands to other parts of the narration as the emphasis shifts to the horror of the character’s unhealthy psychological state (the murder of the wife being only a secondary focal point of this), and as the mode of horror shifts to accommodate the fears and anxiety of the time, mirroring, through the choices in adapting “The Black Cat”, provides a tidy case study of the history of horror comics as the adaptations move through late nineteenth century moral anxieties, to the era of psychoanalysis, to the emotive, atmospheric gore of 1970s horror comics.

  • Czech name

  • Czech description

Classification

  • Type

    C - Chapter in a specialist book

  • CEP classification

  • OECD FORD branch

    60206 - Specific literatures

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2025

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Book/collection name

    Horror and Comics

  • ISBN

    978-1-83772-255-6

  • Number of pages of the result

    17

  • Pages from-to

    19-35

  • Number of pages of the book

    296

  • Publisher name

    University of Wales Press

  • Place of publication

    Cardiff

  • UT code for WoS chapter