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Playlisting the periphery: Platform intermediaries and East-Central European music visibility in Spotify’s geography

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F25%3A73632523" target="_blank" >RIV/61989592:15210/25:73632523 - isvavai.cz</a>

  • Result on the web

    <a href="https://journals.sagepub.com/doi/10.1177/14614448251346200" target="_blank" >https://journals.sagepub.com/doi/10.1177/14614448251346200</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1177/14614448251346200" target="_blank" >10.1177/14614448251346200</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Playlisting the periphery: Platform intermediaries and East-Central European music visibility in Spotify’s geography

  • Original language description

    This article examines Spotify’s engagement with East-Central European (ECE) music markets, exploring how platformization intersects with peripherality. Using insights from the political economy of global media and platform studies, it situates Spotify within the asymmetrical geographies of platform capitalism, where peripheral regions are more consumption markets than cultural centers. While Spotify emphasizes egalitarian access through playlisting and algorithmic tools, the findings reveal persistent inequalities shaped by “spatial gatekeeping.” Focusing on how regional actors, mediating between artists and the platform, experience these inequalities, the article draws on interviews and “scavenging” ethnography to develop a typology of “platform intermediaries,” including regional playlist editors, digital distributors, major label representatives, and music creators. These intermediaries internalize spatial gatekeeping in their practices and platform imaginaries, which reflect perceived distance from geographic and algorithmic centers and aspirations to transcend peripherality. The article offers a nuanced account of platform geography’s asymmetries as experienced from the periphery.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database

  • CEP classification

  • OECD FORD branch

    50802 - Media and socio-cultural communication

Result continuities

  • Project

    <a href="/en/project/DH23P03OVV029" target="_blank" >DH23P03OVV029: Opportunities and barriers of cross-border distribution of Czech music production</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2025

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    NEW MEDIA &amp; SOCIETY

  • ISSN

    1461-4448

  • e-ISSN

    1461-7315

  • Volume of the periodical

    2025

  • Issue of the periodical within the volume

    24.6.2025

  • Country of publishing house

    GB - UNITED KINGDOM

  • Number of pages

    20

  • Pages from-to

    1-20

  • UT code for WoS article

    001514589800001

  • EID of the result in the Scopus database

    2-s2.0-105010346352