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Bodies? On? Stage? Human Play of Forced Entertainment

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F62690094%3A18440%2F16%3A50004847" target="_blank" >RIV/62690094:18440/16:50004847 - isvavai.cz</a>

  • Result on the web

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    Bodies? On? Stage? Human Play of Forced Entertainment

  • Original language description

    The present paper examines the 2012 performance The Coming Storm devised by the renowned British experimental theatre troupe Forced Entertainment. The epistolary and docufictional nature of the analysis mirrors the company&apos;s confessional mode of non-matrixed performing, accentuating the authentic stylization of performers. The conclusions suggest that the binary divison of art and life in the present production are blurred, which leads to the deterritorializing effect of the performance and surfacing of the fragile and authentic humanity.

  • Czech name

  • Czech description

Classification

  • Type

    C - Chapter in a specialist book

  • CEP classification

  • OECD FORD branch

    20103 - Architecture engineering

Result continuities

  • Project

  • Continuities

    V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Others

  • Publication year

    2016

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Book/collection name

    The Live Art Almanac Volume 4

  • ISBN

    978-1-78319-322-6

  • Number of pages of the result

    8

  • Pages from-to

    64-71

  • Number of pages of the book

    368

  • Publisher name

    Live Art Development Agency and Oberon Books Ltd

  • Place of publication

    London

  • UT code for WoS chapter