Bodies? On? Stage? Human Play of Forced Entertainment
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F62690094%3A18440%2F16%3A50004847" target="_blank" >RIV/62690094:18440/16:50004847 - isvavai.cz</a>
Result on the web
—
DOI - Digital Object Identifier
—
Alternative languages
Result language
angličtina
Original language name
Bodies? On? Stage? Human Play of Forced Entertainment
Original language description
The present paper examines the 2012 performance The Coming Storm devised by the renowned British experimental theatre troupe Forced Entertainment. The epistolary and docufictional nature of the analysis mirrors the company's confessional mode of non-matrixed performing, accentuating the authentic stylization of performers. The conclusions suggest that the binary divison of art and life in the present production are blurred, which leads to the deterritorializing effect of the performance and surfacing of the fragile and authentic humanity.
Czech name
—
Czech description
—
Classification
Type
C - Chapter in a specialist book
CEP classification
—
OECD FORD branch
20103 - Architecture engineering
Result continuities
Project
—
Continuities
V - Vyzkumna aktivita podporovana z jinych verejnych zdroju
Others
Publication year
2016
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Data specific for result type
Book/collection name
The Live Art Almanac Volume 4
ISBN
978-1-78319-322-6
Number of pages of the result
8
Pages from-to
64-71
Number of pages of the book
368
Publisher name
Live Art Development Agency and Oberon Books Ltd
Place of publication
London
UT code for WoS chapter
—