Musicology’s Applied Foundations (Or, How Music was Musealised)
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F62690094%3A18440%2F23%3A50020714" target="_blank" >RIV/62690094:18440/23:50020714 - isvavai.cz</a>
Result on the web
<a href="http://dx.doi.org/10.4324/9781003042983-4" target="_blank" >http://dx.doi.org/10.4324/9781003042983-4</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.4324/9781003042983-4" target="_blank" >10.4324/9781003042983-4</a>
Alternative languages
Result language
angličtina
Original language name
Musicology’s Applied Foundations (Or, How Music was Musealised)
Original language description
Acts of musealisation have been apparent since ancient times across all areas of culture, including music. Musealisation is the effort to extract certain cultural elements in which value is recognised in order to preserve and use them further in new ways, including presenting them as evidence. In modern times, music’s musealisation has principally taken place at the service of cultural preservation, for example by museums, libraries, archives, and private collections. Yet, neither music museology, nor its practice of musealisation, have been examined or codified in any great detail in music or cultural studies. This volume’s aim to chronicle the true breadth of applied musicologies today is a timely opportunity to acknowledge music museology’s contemporary place as well as its rich history. To these ends, this chapter identifies two dominant, largely independent lines of development: the musealisation of musical instruments, which assumed a specific, international form during the nineteenth century when museums of musical instruments were founded; and the musealisation of musicalia, that is, musical texts in specific material forms. Musicologically, the first line of development is an auxiliary to organology, which is now safely established as a discipline in its own right. Indeed, the same can be said of the second line, which developed rapidly from the late eighteenth to the early twentieth century and, being closely tied to developments in music historiography, serves as this chapter’s principal focus.
Czech name
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Czech description
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Classification
Type
C - Chapter in a specialist book
CEP classification
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OECD FORD branch
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)
Result continuities
Project
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Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Others
Publication year
2023
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Data specific for result type
Book/collection name
The Routledge Companion to Applied Musicology
ISBN
978-0-367-48824-6
Number of pages of the result
11
Pages from-to
23-33
Number of pages of the book
398
Publisher name
Routledge
Place of publication
New York
UT code for WoS chapter
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