Digital Humanities in Early Music Research. Session I: Early music databases, encoding, analysing and OMR

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985921%3A_____%2F20%3A00524253" target="_blank" >RIV/67985921:_____/20:00524253 - isvavai.cz</a>
Result on the web
—
DOI - Digital Object Identifier
—

Result language
angličtina
Original language name
Digital Humanities in Early Music Research. Session I: Early music databases, encoding, analysing and OMR
Original language description
First session of the annual series (two more sessions are prepared for June and October 2020) presenting new tools and methodologies in digital humanities for early music research. The session was focused on databases of medieval music, encoding of early notations and on optical music recognition. Specialists from main research centers in these fields, University of Waterloo, Dalhousie University and McGill University in Canada presented their research projects on databases of medieval chant “Cantus Index” and “Cantus Database”, “Canadian Chant Database” and “Fragmentarium”, also music and analytical interface SIMSSA and workflows for Optical Music Recognition for neume notation. In an interactive way the attendees (students, scholars, professionnals in musicology and IT) learnt to enter data into chosen databases and to encode neume notations into standards of MEI. The series will continue with a second session (June 2020), which will deepen the knowledge of encoding of old notation systems.
Czech name
—
Czech description
—

Project
<a href="/en/project/GX19-28306X" target="_blank" >GX19-28306X: Old Myths, New Fact: Czech Lands in the Centre of 15th-century Music Developments</a><br>
Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Publication year
2020
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Similar results(10)