Cubism translated? The Western Canon of Modernism and Central/Eastern European Art History

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378033%3A_____%2F10%3A00371956" target="_blank" >RIV/68378033:_____/10:00371956 - isvavai.cz</a>
Result on the web
<a href="http://www.ingentaconnect.com/content/berg/aitj/2010/00000002/00000002/art00007" target="_blank" >http://www.ingentaconnect.com/content/berg/aitj/2010/00000002/00000002/art00007</a>
DOI - Digital Object Identifier
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Result language
angličtina
Original language name
Cubism translated? The Western Canon of Modernism and Central/Eastern European Art History
Original language description
The article examines Cubism in Eastern and Central Europe. An important source for the transmission of analytic Cubism from its Parisian center into the Czech context was the journal Umělecký měsíčník (Arts Monthly) (1911-14). Some artists promoted "pure" Cubism close to the Braque-Picasso model, while others favored a more open interpretation. The fascination with Cubism was fueled by theoretical writings which established a connection between crystalline geometrical forms and spirituality. Cubism wasadopted for furniture, objects, monuments, and architecture in Bohemia, ultimately leading to new hybrid styles, such as "Rondo-Cubism" or (more proper title) "National Style". In Latvia, artistic engagement with synthetic Cubism led to "Neo-Cubism", "Cubo-Constructivism" and "Cubo-Suprematism". Cubism, like poetry, is by definition untranslatable.
Czech name
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Czech description
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Type
J<sub>x</sub> - Unclassified - Peer-reviewed scientific article (Jimp, Jsc and Jost)
CEP classification
AL - Art, architecture, cultural heritage
OECD FORD branch
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Publication year
2010
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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