The Iconography of St. Wenceslas in Early Baroque Prague. The Case of the Wallenstein Palace and Baccio del Bianco

Result code in IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378033%3A_____%2F11%3A00370749" target="_blank" >RIV/68378033:_____/11:00370749 - isvavai.cz</a>

Result on the web

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DOI - Digital Object Identifier

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Result language

angličtina

Original language name

The Iconography of St. Wenceslas in Early Baroque Prague. The Case of the Wallenstein Palace and Baccio del Bianco

Original language description

The article provides a detailed comparison between the St. Wenceslas cycle situated the Palace of Albrecht von Wallenstein in Prague, painted around 1623?24 by Baccio del Bianco in the chapel of the Palace, and an early renaissance cycle of a life of thesaint situated in the Cathedral of St. Vitus in Prague. The text emphasizes Wallenstein´s interest in the renovation of an ancient church of St. Wenceslas located near the palace, vera effigies of saint Wenceslas which was displayed there and the role of the painter Matyáš Mayer who worked in the church as well as in the Cathedral. The article describes also a context of the fact that Wallenstein dedicated his private chapel to the principal patron saint of the Czech lands.

Czech name

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Czech description

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Type

J_x - Unclassified - Peer-reviewed scientific article (Jimp, Jsc and Jost)

CEP classification

AL - Art, architecture, cultural heritage

OECD FORD branch

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Project

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Continuities

Z - Vyzkumny zamer (s odkazem do CEZ)

Publication year

2011

Confidentiality

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Name of the periodical

Acta Historiae Artis Slovenica

ISSN

1408-0419

e-ISSN

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Volume of the periodical

16

Issue of the periodical within the volume

1

Country of publishing house

SI - SLOVENIA

Number of pages

15

Pages from-to

71-85

UT code for WoS article

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EID of the result in the Scopus database

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