All

What are you looking for?

All
Projects
Results
Organizations

Quick search

  • Projects supported by TA ČR
  • Excellent projects
  • Projects with the highest public support
  • Current projects

Smart search

  • That is how I find a specific +word
  • That is how I leave the -word out of the results
  • “That is how I can find the whole phrase”

"Our Song!" Nationalism in Folk Music Research and Revival in Socialist Czechoslovakia

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378076%3A_____%2F15%3A00469743" target="_blank" >RIV/68378076:_____/15:00469743 - isvavai.cz</a>

  • Result on the web

    <a href="http://dx.doi.org/10.1556/6.2015.56.4.7" target="_blank" >http://dx.doi.org/10.1556/6.2015.56.4.7</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1556/6.2015.56.4.7" target="_blank" >10.1556/6.2015.56.4.7</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    "Our Song!" Nationalism in Folk Music Research and Revival in Socialist Czechoslovakia

  • Original language description

    In the Czechoslovakia of the 1950s, traditional folk music was officially presented as the most important resource of national musical identity. Folk- or folkinspired music was ubiquitous. Although this intensity had subsided in the following decades, the role of folk music as a symbol of national identity remained strong until the end of the communist rule in 1989. While the ideology of nationalism used folk music as its tool, it also influenced the way this music was collected, researched, and presented. The article presents examples from two closely related areas to document this phenomenon: folk music research and folk music revival. A closer look reveals how the idea of state-promoted nationalism influenced the ways researchers presented their findings, how they filtered out material that was deemed unsuitable for publication, and how traditional music was revived on stage or in media by folk music and dance ensembles. Critical analysis of research materials and audiovisual documents from the 1950s and 1960s will show how censorship accompanied a folk song from its collection in the field, through publication, to a stylized production on stage or in film.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database

  • CEP classification

  • OECD FORD branch

    50404 - Anthropology, ethnology

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2015

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Studia Musicologica

  • ISSN

    1788-6244

  • e-ISSN

  • Volume of the periodical

    56

  • Issue of the periodical within the volume

    4

  • Country of publishing house

    HU - HUNGARY

  • Number of pages

    9

  • Pages from-to

    397-405

  • UT code for WoS article

    000392639600007

  • EID of the result in the Scopus database

    2-s2.0-85019215953