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48 989 (0,11s)

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The First Exhibitions and the Origins of Collecting Modern Chinese Art in Europe

The article discusses the first exhibitions of modern Chinese painting organized in Europe between 1924 and 1936 by Chinese artists and European collectors of Chinese painting. It elaborates above...

Arts, Art history

  • 2017
  • Jost
Result

The Formation of the Modern Chinese Painting Collection at the National Gallery in Prague

The article introduces the modern Chinese paintings collected in the National Gallery in Prague and elaborates on the history of this collection. It shows that the paintings were mainly acquired during 1920s–1930s ...

Arts, Art history

  • 2017
  • C
Result

The Meeting of Two Worlds: Vojěch Chytil as Collector of Chinese Ink Painting

The article elaborates on the career and collecting activities of the Czech artist Vojtěch Chytil. It introduces his original collection, which was formed in Beijing in the 1920s and 1930s, and shows its importance for the development of collecting <...

Arts, Art history

  • 2017
  • C
Result

Exhibitions of Chinese Painting in Europe in the Interwar Period: The Role of Liu Haisu as Artistic Ambassador

or Leningrad saw shows of paintings by contemporary Chinese masters, lectures on modernThe reception of Chinese contemporary painting on the European soil in the inter-war period. After the organization o...

AL - Umění, architektura, kulturní dědictví

  • 2014
  • C
Result

Meeting of two worlds: Vojtěch Chytil as teacher of Western painting techniques and collector of Chinese ink painting in Beijing of the 1920s and 1930s.

-centuryChinese painting was brought together and later became the base of the collection of modern Chinese painting of the National Gallery in Prague....

AL - Umění, architektura, kulturní dědictví

  • 2012
  • Jx
Result

Modern Chinese painting in Europe: a failure or a tour-de-force

Beginning in the mid-1920s, first exhibitions of contemporary Chinese painting by prominent collectors of contemporary Chinese painting in the late 1920s and early 1930s presentations of Chinese painti...

AL - Umění, architektura, kulturní dědictví

  • 2013
  • D
Result

Conquering Europe ? the introduction of Qi Baishi?s painting in Europe in the early 1930s

in Europe during the early 1930s for the first time. Qi?s paintings were part of a large collection of modern Chinese painting assembled by the Czechoslovak painter, collector as part of the official exhibitions o...

AL - Umění, architektura, kulturní dědictví

  • 2013
  • D
Result

The Traces of the Ink: Chinese Painter's Texts

ink-paintingGreat anthology of Chinese classic theoretical and critical texts on Chinese ink-painting, actual theoretical and philosophical and canon of Chinese classic and modern ink-painting. Ma...

AL - Umění, architektura, kulturní dědictví

  • 2016
  • B
Result

Collecting Qi Baishi?s works in Czech Republic

The article analyzes Czech collections of Qi Baishi?s painting, focussing mainly on the largest collection of his works housed in the National Gallery in Prague. Relationships between Czech collectors and scholars to this important master of...

AL - Umění, architektura, kulturní dědictví

  • 2012
  • Jx
Result

Masters of 20th-Century Chinese Ink Painting from the Collections of the National Gallery in Prague

summarizing the basic facts pertaining to the development of Chinese modern painting and historical sources. In another lengthy chapter, the reception of modern Chinese paintingThe book entitled ...

AL - Umění, architektura, kulturní dědictví

  • 2008
  • B
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