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Modern Chinese painting in Europe: a failure or a tour-de-force

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023281%3A_____%2F13%3A%230000545" target="_blank" >RIV/00023281:_____/13:#0000545 - isvavai.cz</a>

  • Result on the web

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    Modern Chinese painting in Europe: a failure or a tour-de-force

  • Original language description

    Beginning in the mid-1920s, first exhibitions of contemporary Chinese painting were staged in Europe, later developing into a strong current introducing the thus far unknown facet of Chinese culture to European public. It was precisely the moment when China was allowed to speak for herself for the first time, as far as art was concerned, as it was usually others who spoke for her when displays of ancient Chinese art were prepared in the preceding decades. The paper discusses the exhibitions of paintingorganized by Chinese students of art in France in the mid-1920s, those arranged by prominent collectors of contemporary Chinese painting in the late 1920s and early 1930s all around Europe and those sent by the Chinese government as official presentations of Chinese painting of the day in the mid-1930s. It puts all of these events into a broader context of cultural exchanges between China and the West and discusses their individual merits and failures. The paper tries to systematize all

  • Czech name

  • Czech description

Classification

  • Type

    D - Article in proceedings

  • CEP classification

    AL - Art, architecture, cultural heritage

  • OECD FORD branch

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2013

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Article name in the collection

    Face to Face. The transcendence of the arts in China and beyond. Approaches to Modern and Contemporary Art

  • ISBN

    978-989-8300-47-8

  • ISSN

  • e-ISSN

  • Number of pages

    26

  • Pages from-to

    46-71

  • Publisher name

    Centro de Investigacao e Estudos em Belas-Artes (CEIBA)

  • Place of publication

    Lisabon

  • Event location

    Lisabon

  • Event date

    Jan 1, 2013

  • Type of event by nationality

    WRD - Celosvětová akce

  • UT code for WoS article