Exhibitions of Chinese Painting in Europe in the Interwar Period: The Role of Liu Haisu as Artistic Ambassador

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023281%3A_____%2F14%3A%230000630" target="_blank" >RIV/00023281:_____/14:#0000630 - isvavai.cz</a>
Result on the web
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DOI - Digital Object Identifier
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Result language
angličtina
Original language name
Exhibitions of Chinese Painting in Europe in the Interwar Period: The Role of Liu Haisu as Artistic Ambassador
Original language description
The reception of Chinese contemporary painting on the European soil in the 1920s and 1930s represents one of the significant aspects of Sino-Western encounters in the inter-war period. After the organization of the first exhibition of Chinese modern painting in France in 1924, more than two dozens of others ensued in two subsequent decades. Some of them were shows organized by Chinese cultural leaders on behalf of the Chinese government, which regarded presenting contemporary art in Europe as a means toembellish the reputation of China as a modern and cultured country. As a result, several large European cities such as Berlin, Amsterdam, London, Milan, Geneva, Prague or Leningrad saw shows of paintings by contemporary Chinese masters, lectures on modern Chinese art, public talks of the artists and the like. The name of Liu Haisu (1896?1994), a renowned artist, founder of one of the first public institutions in China to teach Western art techniques and a prominent advocate of modernist
Czech name
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Czech description
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Project
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Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Publication year
2014
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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