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Against the affectless Iconology of Modern Art

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023752%3A_____%2F16%3A43915265" target="_blank" >RIV/00023752:_____/16:43915265 - isvavai.cz</a>

  • Alternative codes found

    RIV/00216224:14210/16:00088634

  • Result on the web

    <a href="http://www.umeni-art.cz/cz/issue-detail.aspx?v=issue-issue-2739" target="_blank" >http://www.umeni-art.cz/cz/issue-detail.aspx?v=issue-issue-2739</a>

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    Against the affectless Iconology of Modern Art

  • Original language description

    The affectivity of works of art and the affective response to them remain a difficult subject for art history and theory. Among the key issues for art history and theory are questions such as: What constitutes the affectivity of the image? What role has the beholder's affective response in the experience of a painting or sculpture, and how is the affective dimension activated in the hermeneutical act of viewing and understanding? And, finally, how is the emotional effect of the art work to be related to the causal account of its making, or, what is the place of affective response in the interpretation of a work of art? The essay focuses on these issues by considering a few micro case studies through the prism of the emerging theory of affective response to images. The essay is written as an extended argument against some recent 'turn against affect' views in art history and theory and against 'affectless iconology' an interpretive practice which overlooks the affectivity of the work of art and/or denies it any place in the interpretation. The case studies, all concerned with figural work made in the period 1910-12, analyse several distinct scenarios of relation between the affective response and the meaning (or intention) of the work in question. They demonstrate how literary and other cultural associations the works possess are grounded in and/or are accessible through the beholder's affective response in multiple ways.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>x</sub> - Unclassified - Peer-reviewed scientific article (Jimp, Jsc and Jost)

  • CEP classification

    AL - Art, architecture, cultural heritage

  • OECD FORD branch

Result continuities

  • Project

    Result was created during the realization of more than one project. More information in the Projects tab.

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2016

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Umění

  • ISSN

    0049-5123

  • e-ISSN

  • Volume of the periodical

    64

  • Issue of the periodical within the volume

    1

  • Country of publishing house

    CZ - CZECH REPUBLIC

  • Number of pages

    17

  • Pages from-to

    2-18

  • UT code for WoS article

  • EID of the result in the Scopus database

    2-s2.0-84987942256