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A Treasury in Its Form, not Content

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F17%3A10368539" target="_blank" >RIV/00216208:11210/17:10368539 - isvavai.cz</a>

  • Result on the web

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    A Treasury in Its Form, not Content

  • Original language description

    The study focuses on first full-length feature movie of Jiří Trnka, legendary Treasury from 1947 with emphasis on contemporary notion of folkness. The Treasury was created in period during which Czech society embraced folklorism, i. e. artistic re-creation of traditional folk culture. The Treasury, one of the first Czechoslovak full-length feature films in full colour, presents folk culture of Czech countryside in six semi-independent parts: Shrovetide, Spring, Legend of St. Prokop, Fair, Feast and Bethlehem. Main protagonist of all parts (excluding Legend of St. Prokop) is rural collective of stylized Czech village during the richest period of traditional folk culture, approximately during the first half of the 19th century. Stylized villagers of various generations and professions take part - during changes of calendar year - in various festivities, feasts and games (and also a few working activities) which start several smaller plots - episodes of either humorous or serious nature. Main ideological message of the movies is unity and coherence of this rural community in time (during change of seasons and religious year) and space (in village itself and its immediate surroundings which are left only once during seasonal pilgrimage). This time-space continuum of rural collective is enhanced by communal experiences during single episodes of the movie - both in form of physical interactions (Shrovetide masked processions, spring children&apos;s games, summer pilgrimage or dances during the feast) or communal receptions of various performances (listening to storytelling of legends in rural house, watching puppet show at the fair). This experience-based, sensual level in exactly defined time and space is enhanced by tradition - importance of folk customs and rituals and Catholic folk piety, framed by natural processes such as changing of day and night and seasons, as well as changes of weather and animal behavior (which all provide symbolic commentary to human activities). The Treasury stands at the beginning of Trnka&apos;s signature works which embrace nationalistically reinterpreted folk culture.

  • Czech name

  • Czech description

Classification

  • Type

    C - Chapter in a specialist book

  • CEP classification

  • OECD FORD branch

    50404 - Anthropology, ethnology

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2017

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Book/collection name

    Czech Cinema Revisited: Politics, Aesthetics, Genres and Techniques

  • ISBN

    978-80-7004-181-9

  • Number of pages of the result

    18

  • Pages from-to

    110-127

  • Number of pages of the book

    451

  • Publisher name

    National Film Archive

  • Place of publication

    Prague

  • UT code for WoS chapter