Hardbass: Intersectionality, Music, Social Media and the Far-Right on the European Periphery
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F19%3A10401509" target="_blank" >RIV/00216208:11210/19:10401509 - isvavai.cz</a>
Result on the web
<a href="https://books.google.cz/books?id=HS24DwAAQBAJ&printsec=frontcover&hl=cs&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false" target="_blank" >https://books.google.cz/books?id=HS24DwAAQBAJ&printsec=frontcover&hl=cs&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false</a>
DOI - Digital Object Identifier
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Alternative languages
Result language
angličtina
Original language name
Hardbass: Intersectionality, Music, Social Media and the Far-Right on the European Periphery
Original language description
In this chapter, I examine the phenomenon of "hardbass", a distinct style of music and performance which takes place in public spaces, both physical and virtual, and has been produced and propagated mostly by people with links to far-right social movements in eastern, central-eastern and south-eastern Europe since the beginning of the 2010s. Hardbass is one of the rare cultural developments of the last decade that may, for various political, demographic, economic and social reasons, be seen as a result of an East-to-West cultural transfer. Given the mass accessibility of audiovisual recording tools such as smartphones, recordings of hardbass performances - typically 3-4 minute videos of masked dancers in a public space promoting a pro-healthy lifestyle, anti-drugs message - have circulated on YouTube, Facebook and other online platforms, making them viral and also replicable. Drawing on examples of DIY music videos shot and circulated between 2010 and 2012, my analysis seeks to contextualize these scenes in a processual understanding and on an intersection of the social categories.
Czech name
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Czech description
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Classification
Type
C - Chapter in a specialist book
CEP classification
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OECD FORD branch
60101 - History (history of science and technology to be 6.3, history of specific sciences to be under the respective headings)
Result continuities
Project
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Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Others
Publication year
2019
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Data specific for result type
Book/collection name
(Dis-)Orienting Sounds: Machtkritische Perspektiven auf populäre Musik
ISBN
978-3-8394-5058-1
Number of pages of the result
14
Pages from-to
153-166
Number of pages of the book
310
Publisher name
transcript Verlag
Place of publication
Bielefeld
UT code for WoS chapter
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